Kanye West's music video demonstrates the general codes and conventions of a standardised rap music video, for example he wears expensive jewellery and visuals of fast cars and women to be gazed upon. Something that Kanye West is no secret too, however this music video happens to have many intertextual references to the 1988 film Akira. This can be seen in the visuals of him being scanned by some sort of machine which is also seen in the film Akira. The video also has direct links to the lyrics. This can be seen where the song plays the sample of the "harder better faster" by Daft Punk by showing Daft Punk within the video. Another example of this is where Kanye West says "i know god put you in front of me" and he looks directly at the female interest in the video. The song has a futuristic feel which may be the reason which may be the reason why he chose to include the intertextual references of Akira. Although i believe Kanye had a lot of says in the video, i believe the record label had told him to do the close up shots of his face. This was seen a lot around the time the video released mainly because to sell the aritst as the main point of the video. The video does not have a true narrative as the visuals drive the majority of the video. However, the video does follow a similar narrative of the film Akira, but this would only be known to someone who has seen the video.
WilliamStancliffe Follow, Goodwin analysis: Kanye West - Stronger. SlideShare. Available at: https://www.slideshare.net/WilliamStancliffe/goodwin-analysis-kanye-west-stronger-9240888 [Accessed May 14, 2021].
Analysis of song Analysis of video Kendrick Lamar depicts the tale of the harsh reality that bear upon black people within many parts of America. To themes of black struggle and love and to what feels like a never ending with the police, these are the many themes that is used within alright video. Introduction Within the beginning of the video, Lamar uses the establishing shot of the Oakland-Bay bridge as a framework for the subsequent visuals and messages — entirely in monochrome to contrast “black” and “white” — and messages; he also uses the establishing shot as a microcosm for American society as we explore the meaning of what it is to be black in America — contextualized by Lamar's narrative — and how he copes with his racial identity. For the next minute and a half, images of an apocalyptic Oakland are shown to the viewer in a way that suggests the end is near — a belief that Kendrick Lamar completely shares. Among these images is one of three people standing a...
Types of Lenses Wide Angle Lenses wide-angle lenses usually range between 16 and 35mm, the overall purpose of a wide-angle lens is to capture more within your frame. this may be used for shooting landscapes and cityscapes. they're commonly known to be used in establishing shots in films to help the audience depict time, place, and context. wide angles have a deep depth of field so you are able to have more of the shot in focus. a flaw to wide-angle lenses is that when used in a close-up shot the image can look quite distorted. Macro Lenses the purpose of a macro lens is to make tiny objects seem larger, it allows a photographer to capture little details that are not visible to the eye. macro lenses have a very close focusing distance therefore the photographer has to be very close to the object to allow the image to look very crisp. macro lenses have a variety of focal lengths that will be used for specific things. 50mm lens will be used for objects such as a coi...
Jacques Lacan theory of lack is concept that always relates to desire. lack being the thing that drives our desires. L acan first designated a lack of being : what is desired is being itself. "Desire is a relation to being to lack. The lack is the lack of being properly speaking. It is not the lack of this or that, but lack of being whereby the being exists" (Seminar: The Ego in Freud's Theory and in the Technique of Psychoanalysis ). In "The Direction of the Treatment and the Principles of Its Power" ( Écrits ) Lacan argues that desire is the metonymy of the lack of being ( manque à être ): the subject' s lack of being is at the heart of the analytic experience and the very field in which the neurotic 's passion is deployed. In "Guiding Remarks for a Convention on Feminine Sexuality" Lacan contrasts the lack of being related to desire with the lack of having ( manque à avoir ) which he relates to demand. an example of lack within a ...
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