Howard Osei HNC Creative media

 Jacques Lacan theory of lack is concept that always relates to desire. lack being the thing that drives our desires.  L acan first designated a lack of  being : what is desired is being itself. "Desire is a relation to being to lack. The lack is the lack of being properly speaking. It is not the lack of this or that, but lack of being whereby the being exists" (Seminar:  The Ego in Freud's Theory and in the Technique of Psychoanalysis ). In "The Direction of the Treatment and the Principles of Its Power" ( Écrits ) Lacan argues that desire is the  metonymy  of the lack of being ( manque à être ): the  subject' s lack of being is at the heart of the analytic experience and the very field in which the  neurotic 's passion is deployed. In "Guiding Remarks for a Convention on Feminine Sexuality" Lacan contrasts the lack of being related to desire with the lack of having ( manque à avoir ) which he relates to  demand. an example of lack within a ...

  Is Mulvey's Perspective On Cinematic Pleasure Still Relevant In Morden Cinema?  Within the world of creative arts, in this case, cinema, Laura Mulvey a feminist film critic conceptualized the term male gaze which in relation states that the depiction of women is viewed from a heterosexual masculine perspective which in turn presents women as an object to be gazed at by a heterosexual male viewer. she further states that there are three main male perspectives; That of the man behind the camera, That of the male perspectives and representations within the narrative, and that of the spectator of the film gazing at the film.  when conceptualizing this theory, Laura Mulvey Used the theories of both Lacan and Freud as foundations as it allows her to understand these ways through a primordial perspective. As a means of viewing women and the world, the psychoanalytical theories of the male gaze include Freudian and Lacanian ideas such as scopophilia, or joy in looking. The word...

What Is The Male Gaze?   Laura Mulvey's "Male Gaze" theory suggests as the majority of media presented to a general audience is controlled by middle-aged heterosexual white men, we are often placed within a position where the audience has to look at a depiction of women through a rather misogynistic lens as this satisfies the desires of the media distributors.  The “male gaze” invokes the sexual politics of the gaze and suggests a sexualized way of looking that empowers men and objectifies women. In the male gaze, women are visually positioned as an “object” of heterosexual male desire. Scopophilia in relation to the dominance of the male gaze in classical Hollywood cinema, Mulvey refers to scopophilia as the pleasure involved in looking at other people's bodies as (particularly, erotic) objects without being seen either by those on screen or by other members of the audience. Mulvey argues that cinema viewing conditions facilitate both the voyeuristic process of the o...

What is Freud's Theory Of "The Self" Psychoanalytic theory  is the  theory  of personality organization and the dynamics of personality development that guides  psychoanalysis , a clinical method for treating psychopathology. Theorized by Sigmund Freud, his psychoanalytical perspective presented a unique way of looking at the connection between the body and mind with personality.  he theorized that the mind is made out of three main components when referencing personality;  ID, Ego, Superego.  The id, ego, and super-ego are a set of three concepts in psychoanalytic theory describing distinct, interacting agents in the psychic apparatus. The three agents are theoretical constructs that describe the activities and interactions of the mental life of a person. ID:  The id is the primitive and instinctive component of personality. It consists of all the inherited (i.e., biological) components of personality present at birth, including the sex (life) in...

  Easy rider response  Within this scene, a variety of different techniques that range  from editorial techniques to audi o techniques   is used  to convey the emoti on of boredom  and portray the image of what substance  potentially  abuse feels like for the audience. The scene begins with a still eye-level shot with diegetic  sound, which potentially could be some construction,   of 4 adults who appear to be spending there day within a cemetery .  From the moment this scene opens, the body language that these  actors portray implies that they have reached a dead-end within their lives;  I would go as far as to say that they appear to be going through some  sort of existential  crisis. What drives this point even f urther is the lack of movement from the camera and sound  with the addition of the restlessness of the characters sitting down as if  they are  longing for something to happen with...