Howard Osei HNC Creative media

Individual approaches and styles are used to show different genres of cinema during editing. The way these genres are edited changes the way we think about the tale and our emotions shift as a result of the strategies utilised; it catches and draws the audience in. Fast-paced editing is frequently employed in horror films. This is done to create suspense and make the audience nervous and anxious about what will happen next. They're anticipating being astonished or scared by the next quick-cut shot. The most typical shot in these types of films is a low shot. In the shots of chosen characters, low shots evoke anxiety. They intimidate people, exude authority, and believe they are superior to the other characters in the picture. In horror films, the use of high shots and close-up shots denotes vulnerability, usually in the victims. 'One Missed Call' is an example of a film that effectively employs these strategies. The victims are plagued by inexplicable phone calls in which t

Early Editing  In the present day, editing in film has various purposes: it aids in the telling of a storey, it creates a mood or atmosphere, and it contributes to the overall success of a film or video. Short films used to be one lengthy, static shot in the beginning. Early filmmakers were afraid of combining multiple shots of different items taken from different perspectives and locations because they feared it would confuse an audience. In the early 1900s, the first films with some type of editing were made. Edwin S. Porter's film "The Great Train Robbery," which he wrote, directed, and produced, is a significant milestone in editing technique. Griffiths, Eisenstein, and Kuleshov are among the most well-known film experimenters. D. W. Griffiths is regarded as the founder of narrative cinema; he pioneered techniques such as parallel editing, which allowed him to push his films to new heights of intricacy. Griffith's films were highly valued by Soviet directors such